Explore Metropolitan Museum, Work Of Art, and more!

View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83 John Robert Cozens (British, 1752–1798) Watercolor over traces of graphite on white laid paper; 10 x 14 1/2 in. (25.3 x 36.8 cm) Rogers Fund, 1967 (67.68)

View of the Villa Lante on the Janiculum (Gianicolo) in Rome, John Robert Cozens (British, Watercolor over traces of graphite on white laid paper; x cm) Rogers Fund, 1967

Watercolor Painting in Britain, 1750–1850 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

“The technique of water-based painting dates to ancient times, and belongs to the history of many cultures in the world.

Lindisfarne Castle, Holy Island, ca. 1797 Thomas Girtin (British, 1775–1802) Watercolor on rough cartridge paper; 15 x 20 1/2 in. (38.1 x 52 cm) Rogers Fund, 1906 (06.1051.1)

Lindisfarne Castle, Holy Island, ca. 1797 Thomas Girtin (British, Watercolor on rough cartridge paper; x 52 cm) Rogers Fund, 1906

View of Kensington Gardens, ca. 1811  John Linnell (British, 1792–1882)  The Metropolitan Museum of Art

View of Kensington Gardens, ca. 1811 John Linnell (British, Watercolor over graphite on paper; x 14 cm)

View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83 John Robert Cozens (British, 1752–1798) Watercolor over traces of graphite on white laid paper 10 x 14 1/2 in. (25.3 x 36.8 cm) Rogers Fund, 1967 (67.68)

View of the Villa Lante on the Janiculum (Gianicolo) in Rome, John Robert Cozens (British, Watercolor over traces of graphite on white laid paper; x cm) Rogers Fund, 1967

View of University Park Looking Towards New College, Oxford, after 1825 William Turner of Oxford (British, 1789–1862) Watercolor over graphite on paper; 8 1/2 x 15 1/8 in. (21.6 x 38.4 cm)

View of University Park Looking Towards New College, Oxford, after 1825 William Turner of Oxford (British, Watercolor over graphite on paper;

View of Rouen from St Catherine's Hill 1821-22 - watercolor by Bonington

View of Rouen from St. Catherine's Hill, Richard Parkes Bonington (British, Watercolor over graphite on white wove paper; x 23 cm)

Mrs. Manigault Heyward (Susan Hayne Simmons) miniature painting. Artist: Robert Fulton (American, Little Britain, Pennsylvania 1765–1815 New York) Date: ca. 1813. Watercolor on ivory. The Metropolitan Museum of Art. Accession Number: 14.135

Manigault Heyward (Susan Hayne Simmons) - Robert Fulton (American, Little Britain, Pennsylvania New York) Date: ca. 1813 Medium: Watercolor on ivory

The only major American Impressionist to depict the home front during World War I, Hassam produced his Flag series, some thirty canvases representing Manhattan’s Fifth Avenue and adjacent streets decorated with patriotic emblems, from 1916 to 1919

"Avenue of the Allies, Great Britain" -- 1918 -- Childe Hassam -- American -- Oil on canvas -- Metropolitan Museum of Art.

Ernest Geldart (British, 1848–1929). Thatched Roof Stone Cottage, late 19th–early 20th century. The Metropolitan Museum of Art, New York. Exchange, Royal Institute of British Architects, 1960 (60.724.62)

Ernest Geldart (British, 1848–1929). Thatched Roof Stone Cottage, late 19th–early 20th century. The Metropolitan Museum of Art, New York. Exchange, Royal Institute of British Architects, 1960 (60.724.62)

Sixty years before the embrace of collage techniques by avant-garde artists of the early twentieth century, aristocratic Victorian women were already experimenting with photocollage. The compositions they made with photographs and watercolors are whimsical and fantastical, combining human heads and animal bodies, placing people into imaginary landscapes, and morphing faces into common household objects.    Metropolitan MOA

Kate Edith Gough Untitled page from the Gough Album late Collage of watercolor and albumen silver prints

John Constable  Salisbury Cathedral from the Bishop’s Garden, 1825  Oil on canvas

John Constable Salisbury Cathedral from the Bishops' Grounds painting is available for sale; this John Constable Salisbury Cathedral from the Bishops' Grounds art Painting is at a discount of off.

Soane Britain Journal

Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind) - Artist: Jacob Marrel (German, Frankenthal Frankfurt am Main) - Period: century - Date: ca. - Medium: watercolor on vellum

Pinterest
Search