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Pygmalion sculpte sa statue Roman de la rose Guillaume de Lorris et jean Meun, Paris, début du XVe s.. BNF, Manuscrits, français 12595, f. 150 © Bibliothèque nationale de France L’histoire de Pygmalion, à la fin du Rom

No, it's not a medieval torture scene it's Pygmalion carving a woman out of ivory. From the French Manuscript "Roman de la rose", Guillaume de Lorris and Jean Meun, Paris, early XVth century.

dentysta :) - Medieval Dental Practitioner. Not encouraging when I'm off to the dentist on Monday

Medieval Dental Practitioner - the purse!

Orpheus, fatally, looks back at Eurydice. Harley MS 4431f. 126v @BLMedieval pic.twitter.com/7FuINyCwUh

Robert Miller on

Harley MS 4431 c The manuscript, known as 'The Book of the Queen', includes Works by Christine de Pizan, assembled for Isabel (Isabeau) of Bavaria, queen consort of Charles VI of France .

Late 15th century underwear

Ah, the ever-popular Medieval Bath Babes! Knihovna Národního muzea v Praze; Česká republika, f. (‘Monks in the bath’). Jenský kodex Antithesis Christi et Antichristi,

Horae ad usum Parisiensem Date d'édition : 1401-1500 Type : manuscrit Langue :	 Latin Format : Vélin. - 190 feuillets et 4 feuillets de parchemin. - 160 × 110 mm. - Reliure veau brun, encadrement doré, fleurons au dos, tranches dorées Droits : domaine public Identifiant : ark:/12148/btv1b550008032

Horae ad usum Parisiensem Date d'édition : 1401-1500 Type : manuscrit Langue : Latin Format : Vélin. - 190 feuillets et 4 feuillets de parchemin. - 160 × 110 mm. - Reliure veau brun, encadrement doré, fleurons au dos, tranches dorées Droits : domaine public Identifiant : ark:/12148/btv1b550008032

Dall’Enciclopedia di Giacomo de Palmer. Lettera iniziale C per “Colore.

Royal 6 E. VI, f. After Jonathan Alexander, Medieval Illuminators and Their Methods of Work (New Haven and London: Yale University Press, pic.

Detail of the Last Judgement fresco at Saint Martin church in Sillegny, Lorraine, France, 15th c.

Hellmouth, Detail of the Last Judgement fresco at Saint Martin church in Sillegny, Lorraine, France, c.

Irene painting a diptych (of Christ?). From Boccacio, de mulieribus claris/Le livre de femmes nobles et renomées (trad. anonyme), early 15C French (Paris). Bibliothèque nationale, Paris. MS Français 598, fol. 92. "cy apres s'ensuit de yrene femme de cratin. la LIXe rubriche"

From Tabula Picta, Painting and Writing in Medieval Law, Marta Madero.it's About Time: Women Artists & Authors

Marcia, from an incunable German translation by Heinrich Steinhöwel of Boccaccio’s De Mulieribus Claris, printed by Johannes Zainer at Ulm ca. 1474 (Image © Wikimedia Commons). In this illustration, Marcia is shown twice, once as a painter and once as a sculptor, just as the text (see below) demands. Contrary to the text, however, her chastity is visualised by her being dressed as a nun – even though Boccaccio explicitly states that she had *not* taken any religious vows.

Boccaccio’s Women Artists

Deuxième moitié XIIIe : Canon de la médecine, Avicenne, 1250-1300, Paris (Besançon, B.m., ms. 0457, f. 365, 457)

Deuxième moitié XIIIe : Canon de la médecine, Avicenne, 1250-1300, Paris (Besançon, B.m., ms. 0457, f. 365, 457)

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What Is Ephemeral Art? Read To Know More

pH Studio are internationally recognized for the design and fabrication of ephemeral textile architecture and living environments. The studio explores the role of art and design in public space and society, and consults on creative strategies and fut

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