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Origins of pop at the Cinémathèque Française, Michaelangelo...
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Origins of pop at the Cinémathèque Française, Michaelangelo.

The Mysteries of Michelangelo Antonioni

Accontentarsi del partner e annullarsi per amore: il parere dell'esperto

« Je crois qu'il importe aujourd'hui que le cinéma se tourne vers cette forme intérieure, vers ces expressions absolument libres comme est libre la littérature, comme est libre la peinture qui appartient à l'abstraction

Origins of pop at the Cinémathèque Française, Michaelangelo...

Origins of pop at the Cinémathèque Française, Michaelangelo...

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Marcello Mastroianni e Jeanne Moreau ne La notte, foto Sergio Strizzi

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LA NOTTE [ITALY/FRANCE 1960]
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Antonioni's black-and-white masterpiece, featuring the lives of disillusioned Milanese intellectuals, had a profound impact on global cinema, writes Philip French

LA NOTTE [ITALY/FRANCE 1960]

LA NOTTE [ITALY/FRANCE 1960]
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Jeanne Moreau and Monica Vitti, La notte (Michelangelo Antonioni, 1961)
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Jeanne Moreau and Monica Vitti, La notte (Michelangelo Antonioni, 1961)

Jeanne Moreau and Monica Vitti, La notte (Michelangelo Antonioni, 1961)
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Michelangelo Antonioni Jeanne Moreau et Marcello Mastroianni
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Michelangelo Antonioni Jeanne Moreau et Marcello Mastroianni

Michelangelo Antonioni  Jeanne Moreau et Marcello Mastroianni
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Toshiro Mifune
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The Silent Smurf

Toshiro Mifune

Toshiro Mifune
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Liv Ullman (in Persona)
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Liv Ullmann in Persona

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Black turtlenecks are the shit!

Liv Ullman (in Persona)

Liv Ullman (in Persona)
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Jeanne Moreau and Marcello Mastroianni in Michelangelo Antonioni's "La notte" (1961)
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Jeanne Moreau and Marcello Mastroianni in Michelangelo Antonioni's "La notte" (1961)

Jeanne Moreau and Marcello Mastroianni in  Michelangelo Antonioni's "La notte" (1961)

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Leos Carax and Juliette Binoche on the set of "Les amants du Pont-Neu" (The Lovers on the Bridge) (1991)

Leos Carax and Juliette Binoche filming Les Amants Du Pont Neuf.

Jeanne Moreau as “Thomas” in Jules & Jim dir. Francois Truffaut) (via François Truffaut: The Complete Films) “Catherine was proud of her successful disguise. The men were moved, as if by a symbol they didn’t understand.

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Monica Vitti compie 85 anni, ecco i dieci motivi per amare quest'attrice unica

La Notte (The Night) is the second, and regarded by many as the best, film in Michelangelo Antonioni’s 'trilogy of decadence'. The film discusses similar themes of: alienation, love and tragedy to ...

La Notte (The Night) is the second, and regarded by many as the best, film in Michelangelo Antonioni’s 'trilogy of decadence'. The film discusses similar themes of: alienation, love and tragedy to .

Michelangelo Antonioni et Monica Vitti, 1961.

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Michelangelo Antonioni and Monica Vitti, photographed by Walter Daran, 1961

Hiroshima Mon Amour, Resnais, 1959

Him (Eiji Okada) & Her (Emmanuelle Riva) 'Hiroshima mon amour', Dir: Alain Resnais

Ingmar Bergman's films

Ingmar Bergman, 1918-2007

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