Capitel con representaciones de Adán y Eva. Saint Benoit sur Loire. Escultura románica de la Auvernia.

ADam and Eve in Mosaics, Paintings, Roof Bosses, Misericords, Stained Glass and Sculpture

Representación del Pecado Original - Escultura Románica, Vallejo de Mena, provincia de Burgos

Representación del Pecado Original - Escultura Románica, Vallejo de Mena, provincia de Burgos

Siglo XIII. El pecado original, Pintura mural de San Esteban de Urriés, Zaragoza, Museo Diocesano de Jaca, Huesca (detalle)

Siglo XIII. El pecado original, Pintura mural de San Esteban de Urriés, Zaragoza, Museo Diocesano de Jaca, Huesca (detalle)

Siglo XIII. El pecado original, Pintura mural de San Esteban de Urriés, Zaragoza, Museo Diocesano de Jaca, Huesca (detalle)

Siglo XIII. El pecado original, Pintura mural de San Esteban de Urriés, Zaragoza, Museo Diocesano de Jaca, Huesca (detalle)

Capitel románico, Beleña de Sorbe, Guadalajara - Representación de José y la mujer de Putifar, también podría tratarse de la Expulsión del Paraíso

Capitel románico, Beleña de Sorbe, Guadalajara - Representación de José y la mujer de Putifar, también podría tratarse de la Expulsión del Paraíso

Miegeville. Toulousse. Adan y Eva

Miegeville. Toulousse. Adan y Eva

"Paradise Lost" capital, Basilique Notre Dame du Port, Clermont-Ferrand (Puy-de-Dôme) Photo by Albert Pinto

Notre Dame du Port Clermont

"Paradise Lost" capital, Basilique Notre Dame du Port, Clermont-Ferrand (Puy-de-Dôme) Photo by Albert Pinto

Capital - the Punishment of Adam and Eve, Église Notre Dame du Port, Clermont-Ferrand (Puy-de-Dôme)

The Fall from Grace – Amuse Bouche #23 (Dennis Aubrey)

The Fall from Grace – Amuse Bouche (Dennis Aubrey)

15-21 pg 474 Willigelmo. CREATION AND FALL, WEST FAÇADE, MODENA CATHEDRAL. Emilia, Italy. Building begun 1099; sculpture c. 1099. H approx. 3'. Wiligelmo may have be inspired by Roman sarcophagi in carving this work. The figures are carved in high relief, giving them a strong sense of three-dimensionality. The framing gives the impression of a stage. The figures are lifelike and emotional and were once brightly painted. Wiligelmo had a strong influence throughout Italy and as far as England.

15-21 pg 474 Willigelmo. CREATION AND FALL, WEST FAÇADE, MODENA CATHEDRAL. Emilia, Italy. Building begun 1099; sculpture c. 1099. H approx. 3'. Wiligelmo may have be inspired by Roman sarcophagi in carving this work. The figures are carved in high relief, giving them a strong sense of three-dimensionality. The framing gives the impression of a stage. The figures are lifelike and emotional and were once brightly painted. Wiligelmo had a strong influence throughout Italy and as far as England.

10.23.15 MNAC visit 2 Romanesque-011sm

10.23.15 MNAC visit 2 Romanesque-011sm

Mòdena. Duomo. L'expulsió del paradís

Romanesque, Medieval, Middle Ages

IL DUOMO DI MODENA http://www.foliamagazine.it/wp-content/uploads/2013/06/Wiligelmo-Storie-della-Genesi.jpg

This example depicts the Creation and The Temptation of Adam and Eve, from the West facade of the Cathedral of Modena, Italy.

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