Falda lápiz, outfit clásico.

Falda lápiz, outfit clásico.

Blazer de cuero  - Twin de seda con mohair y lentejuelas - Falda de lana buclé a lunares - cinto de cuero y hebilla en plata - borceguí de charol con flecos de gamuza

Blazer de cuero - Twin de seda con mohair y lentejuelas - Falda de lana buclé a lunares - cinto de cuero y hebilla en plata - borceguí de charol con flecos de gamuza

Evening dress with tiered chiffon skirt, American, ca. 1929. Made for movement & dancing. Three layers of silk chiffon cut with handkerchief hem, with many points hanging down from substantial width of beading. Above this floating base, bodice hangs smooth & straight. Silver bugle beads & rhinestones. Smith College Historic Clothing

Evening dress with tiered chiffon skirt, American, ca. Made for movement & dancing. Three layers of silk chiffon cut with handkerchief hem, with many points hanging down from substantial width of beading. Above this floating base, bodice hangs smooth

silk fitted long skirt with elegant detail. Love the laced front corset style top of the skirt.

Women's Brown Fringed Snake-print Silk-chiffon Maxi Skirt - The top of this skirt gives me the vision of a short denim skirt altered with a bias skirt bottom and some ribbon hanging

Visiting gown, M. Vignon, Paris, ca. 1870s. Fashionable designer known for his wedding gowns. Silk piping & bows on the cutout sleeves, bow at throat with vertical panel at center front covering hook & eye closure but also button & button holes. Heavy skirt with rows of gathered swags trimmed in silk fly fringe, piped & trimmed box pleats & petals, with bow & streamer at the long box-pleated train. Carolyn Forbes Textiles/ebay

Visiting gown, M. Vignon, Paris, circa Fashionable designer known for his…

Dress Depret (French) Date: ca. 1867 Culture: French Medium: silk Dimensions: Length at CB (a): 14 in. (35.6 cm) Length at CB (b): 63 in. (160 cm) The Met.

Dress Depret (French) Date: ca. 1867 Culture: French Medium: silk Dimensions: Length at CB (a): 14 in. cm) Length at CB (b): 63 in.

1914 Evening dress, France: pink silk/net with sequins and trimmed with clusters of glass beads (a later addition). Via Powerhouse Museum, Sydney.

Style/dress 1914 Evening dress, France: pink silk/net with sequins and trimmed with clusters of glass beads (a later addition). Via Powerhouse Museum, Sydney.

Mantón en crespón de seda, con flecos de macramé y grandes motivos florales bordados en azules, sobre cuerpo y falda de algodón estampado, decorados con encaje de bolillos. De las diversas formas con las que se puede vestir un mantón de Manila destaca la llamada “a la moronga”, muy popular en el cambio del siglo XIX al XX: el mantón se coloca con el pico en la parte delantera, cubriendo casi todo el cuerpo.

Mantón en crespón de seda, con flecos de macramé y grandes motivos florales bordados en azules, sobre cuerpo y falda de algodón estampado, decorados con encaje de bolillos. De las diversas formas con las que se puede vestir un mantón de Manila destaca la llamada “a la moronga”, muy popular en el cambio del siglo XIX al XX: el mantón se coloca con el pico en la parte delantera, cubriendo casi todo el cuerpo.

The "Errico Maria" 2013 Bridal Collection ♥✤ | Keep the Glamour | BeStayBeautiful

Errico Maria 2013 Bridal Collection

The "Errico Maria" 2013 Bridal Collection - fun, but I would like it in black

29" figure, period accurate 1885 visiting dress created & hand sewn by fashion designer John Burbidge: deep red silk satin & velvet bustle skirt & jacket, lace blouse, fringed & tasseled over skirt, includes matching parasol & hat, shoes, undergarments, all excellent. This is one of 75 "ladies" each costumed in a 1860 through 1914 unique ensemble, as seen in the book "Les Petites Dames de Mode" & numerous museum presentations throughout the U.S.

Period accurate 1885 Visiting Dress created & hand sewn by fashion designer John Burbidge: deep red silk satin & velvet bustle skirt & jacket, lace blouse, fringed & tasseled over skirt, includes matching parasol & hat, shoes.

Four-piece ensemble of ivory silk satin & lace with taffeta trim, ca. 1870s. Basque bodice with ¾-length sleeves. Panel of lace at front of skirt, with fullness at back to accommodate bustle of satin and lace buttons with slight trim. Dark tan polished cotton underskirt; ivory satin cape with fringe. Worn as commencement dress. Vassar College Costume Collection

Four-piece ensemble of ivory silk satin & lace with taffeta trim, ca.

Russian court dress, Worth, ca. 1888. Silver moiré skirt and emerald green silk velvet boned bodice with matching 12-foot train. It is trimmed with a band of silk fringe and velvet ruffles. Indianapolis Museum of Art

Russian court dress, Worth, ca. Silver moiré skirt and emerald green silk velvet boned bodice with matching train. It is trimmed with a band of silk fringe and velvet ruffles. Indianapolis Museum of Art

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