56th #VeniceBiennale 2015

Collection by Elisa Rodríguez
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"All the World's futures", Venice, 2015
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cyborg sex Public Art, Venice Italy, Contemporary Art, Modern Art, Painting, Venice Biennale, Conceptual Art, Japanese Artists, Land Art

Chiharu Shiota The Key in the Hand, [The International Art Exhibition - la Biennale di Venezia, Venice / Italy]photo by Sunhi Mang

Venice Biennale 2015 Modern Art, Contemporary Art, Venice Biennale, Installation Art, Art Installations, Artist At Work, Art Design, All Art, Urban Art

Venice Biennale 2015: Our Favorite Under-the-Radar Art Exhibits

Adel Abdessemed, Nympheas (2015). Insieme di coltelli, dimensioni variabili. 56. Esposizione Internazionale d’Arte - la Biennale di Venezia, All the World’s Futures. Courtesy la Biennale di Venezia /27/enwezor_all_the_world_s_futures_biennale_venezia.html Futures, Venice Biennale, Paradiso, Sculptures, Venice

All the World’s Futures

Okwui Enwezor, curator of the venice Art Biennale, with his show outlines a proposal – that we should remaining vigilant and continue to probe in order to understand, identify the fundamentals and use them as the basis for our reasoning once more.

Ibrahim Mahama (Photo by Alex John Beck) Textiles, Venice Biennale, Red Hook, Installation Art, Painting & Drawing, Artsy, Crafts, Sculpture, Drawings

Okwui Enwezor’s Venice Biennale Is an Unpleasant Experience—And That’s a Good Thing

Ibrahim Mahama Okwui Enwezor’s Venice Biennale Is an Unpleasant Experience—And That’s a Good Thing

(Back) Bruce Nauman// pp: Adel Abdessemed, Nympheas (2015) Venice Biennial  Photo by Alex John Beck for Artsy. Venice Biennale, Contemporary Art, Contemporary Artwork, Modern Art

Okwui Enwezor’s Venice Biennale Is an Unpleasant Experience—And That’s a Good Thing

(Back) Bruce Nauman// pp: Adel Abdessemed, Nympheas Venice Biennial Photo by Alex John Beck for Artsy.

Bruce Nauman, Human nature / Life death / Knows Doesn’t Know, 1983. Neon Venice Biennale, Human Nature, Death

All the World’s Futures

Bruce Nauman, Human nature / Life death / Knows Doesn’t Know, Neon

Helidon Xhixha, Syria’s Venice Biennale Pavilion Confronts Global Warming’s Destruction Photo: courtesy of Contini Art UK.

Syria’s Venice Biennale Pavilion Confronts Global Warming’s Destruction

Helidon Xhixha, Syria’s Venice Biennale Pavilion Confronts Global Warming’s Destruction Photo: courtesy of Contini Art UK.

Goncalo Mabunda, "The Throne of None Slavery", 2014. Armi decommissionate saldate. 117 × 86 × 60 cm. 56. Esposizione Internazionale d’Arte - la Biennale di Venezia, All the World’s Futures. Courtesy la Biennale di Venezia /27/enwezor_all_the_world_s_futures_biennale_venezia.html

All the World’s Futures

Goncalo Mabunda, "The Throne of None Slavery", 2014. Armi decommissionate saldate. 117 × 86 × 60 cm. 56. Esposizione Internazionale d’Arte - la Biennale di Venezia, All the World’s Futures. Courtesy la Biennale di Venezia /27/enwezor_all_the_world_s_futures_biennale_venezia.html

Joana Vasconcelos “Giardino del Eden” Venice Biannale 2015 http://tagsrc.com/joanavasconcelos Venice Biennale, Portuguese, Hashtags

Venice Biennale, Portuguese, Hashtags

The Institut Ramon Llull presents Catalonia in Venice at la Biennale di Venezia for the fourth time. A film installation by filmmaker Albert Serra will be shown within the curatorial framework of Chus Martínez

The Institut Ramon Llull presents Catalonia in Venice at la Biennale di Venezia for the fourth time. A film installation by filmmaker Albert Serra will be shown within the curatorial framework of Chus Martínez

Paul Klee "Angelus Novus" (1920), legendaria acuarela que compra Walter Benjamin en 1921 y que describe en su Tesis sobre la Filosofía de la historia para aludir el estado del mundo que se desmantela a sus pies, mientras el punzante vendaval del progreso concatena una debacle incalculable que lo empuja torpemente hacia el futuro

Paul Klee "Angelus Novus" (1920), legendaria acuarela que compra Walter Benjamin en 1921 y que describe en su Tesis sobre la Filosofía de la historia para aludir el estado del mundo que se desmantela a sus pies, mientras el punzante vendaval del progreso concatena una debacle incalculable que lo empuja torpemente hacia el futuro

(OUT OF BIENNALE) Venezuelan artist Deborah Castillo: "Marx Palimpsesto" (2015) performance - installation around the ideological utopias and political vocation of art, from the Communist Manifesto (K. Marx and F. Engels ) that can be 'edited' with an eraser -shaped as Marx's head- making possible create new phrases and different interpretation of his thought.

(OUT OF BIENNALE) Venezuelan artist Deborah Castillo: "Marx Palimpsesto" (2015) performance - installation around the ideological utopias and political vocation of art, from the Communist Manifesto (K. Marx and F. Engels ) that can be 'edited' with an eraser -shaped as Marx's head- making possible create new phrases and different interpretation of his thought.

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